Flaming Feather (1952) Online

This a good picture for what it is. It seems to start out as a formula western with an age old plot, white man running with Indians doing bad things, lone hero sets out to stop him, etc. However the script is pretty good, there is some suspense, though we sort of know from the get-go who the bad guy is,the moment he shows on the screen. I love Sterling Hayden...for a guy who really didn't like being an actor, he does all right. Barbara Rush is beautiful and appealing. Forrest Tucker just shows up, and Victory Jory steals the picture with his oily charm.Edgar Buchannian is wasted in a role he really isn't suited for.

However, all in all, a pretty good picture. I enjoyed it.

Flaming Feather is directed by Ray Enright and written by Gerald Drayson Adams. It stars Sterling Hayden, Forrest Tucker, Arleen Whelan, Barbara Rush, Victor Jory, Edgar Buchanan and Richard Arlen. A Technicolor production, music is by Paul Sawtell and cinematography by Ray Rennahan.

The mysterious outlaw known only as The Sidewinder is in cahoots with the Native Americans and terrorises Arizona's settlers. But when The Sidewinder chose Tex McCloud (Hayden) as one of his targets, he hadn't banked on Tex linking up with the U.S. Cavalry to hunt him down.

Enjoyably energetic Oater that makes up for what it lacks in originality with gorgeous location photography and a barn storming finale. Ray Enright was a good old pro at this sort of thing, and here he doesn't waste any time with pointless filler scenes or drawn out conversations that don't advance the plot. From the get go we are thrust into an action sequence, and from there on in the film rarely pauses for breath.

Hayden and Tucker make for a beefy coupling, and although the mystery element is not exactly rocket science to work out, the presence of three lovely lady characters does spice up the intrigue surrounding The Sidewinder and those in pursuit of him. It all builds to a wonderful finale that starts out with a Little Big Horn type siege, which then develops into a pursuit and battle up at the Montezuma Castle Monument in Arizona, where fire pit punch ups and ladder skills enthral greatly.

It isn't hard to pick holes in it, it is after all one of those quintessentially early 1950s Westerns that was ignorant to intelligent scripting and screenplays. Yet for sheer gusto and consistently airy beauty this is a must see for Western and Hayden lovers. 7/10

This is strange and enjoyable, an odd mix of straight genre and novel plot.

Superficially, it is a genre western in all its component parts:

Army, including a rough and tumble, betting, chewing sarge. A redheaded owner of a bar, essentially that abstraction of a whore that only exists in movieland. A more beautiful "innocent" woman, goodhearted. A lone rancher on a mission of revenge. A gang of thieving, murdering Indians, led by an evil mastermind. A solidly honest gambler. Color. Traditional score.

And most of the action is of the ordinary kind: barroom fights, barroom singing (in the Red Feather, where our redhead works -- guess that's where the title comes from). And there's the cowboy rescuing the pert damsel again and again. He ends up with her after thwarting her wedding to the unrecognized bad guy. (who she doesn't know killed her parents).

But this has some twists that actually make it interesting, enough unpredictable that you may find it interesting.

The shootout at the end involves ladders and dimension, rare for a picture of this era.

But the big deal for me: the setup for the first three quarters of the movie is that the redhead and the guy who turns out to be the mysterious "sidewinder" have a big quarrel. We expect to learn that she is his wife or sister. Or that she is the sidewinder. We expect that the bad guy will die, but that the tart with a heart will survive. That's the west, right?

No. The whole thing leads up to a massive shootout which just happens to involve her and a group of men who mysteriously would follow her into such a thing. No problem, we think, her hidden power and role will be uncovered in some way.

Nope. An errant bullet in the shootout -- not even from anyone important -- fells her. She dies. We never learn the puzzle that has captured us throughout. We've been tricked by the shape of the thing, which so clearly is a genre movie, but at the end, no genre ending?

What a thrill.

Ted's Evaluation -- 3 of 3: Worth watching

Sterling Hayden stars as a cowboy who hits the trail in search of a renegade white man leading a band of Indians who burned his ranch and ran off his horses and cattle. The mysterious raider is responsible for the killing and looting of towns and wagon trains manages to elude the pursuing cavalry until events conspire to unmask the villain. Barbara Rush is the romantic interest of Hayden and also the renegade and her role is that of a damsel in distress throughout the picture. Forrest Tucker is good as an army lieutenant and there are comical exchanges between old timers Edgar Buchanan and George Cleveland. Victor Jury is also good as the dark, saturnine trading post owner. Arleen Whelan's role as a saloon singer doesn't have much to do with the film's plot but is quite a looker nonetheless. The technicolor is excellent, as is Paul Sawtell's spare music score.

A band of renegade Utes, led by a sneaky, low down, forked tongue white man, burn, loot, and pillage across the southwest. A rugged settler and the Army go after the elusive skunk and his gang of dirty rats and meet in a blazing gun battle in the mountains. Above average western.

Presumably, the title relates to the Red Feather Saloon, and flaming-haired Arleen Whelan, who sometimes sings there. Arleen's character: Carolina, is your iconic 'bad' girl, as opposed to Barbara Rush's 'good' girl, Nora. They both have occasional incidents with the lead male: Sterling Hayden, as Tex. Tex saves Nora from great harm on several occasions. Thus, naturally, she is friendly with him. But, she also feels gratitude toward wealthy local, Lucky Lee, who looked after her, after her parents were killed and their house ransacked and burned by The Sidewinder and his band of renegade Utes, who have been the terror of Arizona Territory for 20 years! Now, Lucky has asked her to marry him, and she has accepted. However, Nora has also developed an obvious attraction to Tex, and worries about his safety. Meanwhile, Lucky has a beautiful Ute mistress in Turquoise(Carol Thurston), which doesn't seem to bother Nora. Turquoise thinks Lucky should marry her, but he says a man in his (exalted) position should marry his own kind..... Caroline has an attraction/repulsion relationship with Tex. Sometimes, she tries to have him killed. Other times, she saves him from being killed. Sometimes she's angry at him. Other times, she proposes that they run off together. Caroline also has a thing going with cowboy Showdown((Richard Arlen). Most of these romantic conflicts will be resolved in the spectacular climax battle between The Sidewinder plus his Ute vs. most of those characters I've talked about, plus the US cavalry. This battle takes place in and around the Montezuma Castle Pueblo cliff dwellings, with a number of successive ladders to climb to the top......The main point of the story is the search for the identity of The Sidewinder, and eliminating him and his Utes......Some of the other characters include: Tombstone(Ian MacDonald): a shady gunslinger type, Forrest Tucker as Lt. Blaine, and his sidekick: Edgar Buchanan, as Sgt. O'Rourke. Another easily identified character actor is George Cleveland, who plays the aged Dr. Fallon: horse and people doctor, dentist, lawyer, justice of the peace, and no doubt a few other odd skills.......The location shooting takes place in various scenic areas of Arizona, and complements the 3 beautiful women included. You can see it all free, at YouTube

Often I wish we could give scores like 6.5, as "Flaming Feather" isn't quite good enough to merit a 7 but better than a 6. I also notice that the other reviewers really liked this one. Well, I did too--just not quite as much.

The film begins with a rancher (Sterling Hayden) having his homestead attacked by an Indian bandit named 'The Sidewinder'. In the attack, Hayden loses everything but his life and is naturally determined to watch this bandit and punish him. Along the way, he meets up with the Cavalry--and Hayden isn't particularly nice to them. After all, they should have stopped the Sidewinder, as he and his gang have been at it for years and no one STILL has any idea who he is. He and the Commander (Forrest Tucker) make a bet as to who will get the Sidewinder.

In town, Sterling meets up with two interesting ladies--a crazy red-head who seems like poison and a gorgeous and nice dark-haired lady (Barbara Rush) who is headed west to marry some guy named 'Lucky'. However, twice folks try to either kill or kidnap her--and both times the hero, Sterling, rescues her. What's next and what the fiancé (Victor Jory) has to do with all this is something you'll need to see for yourself.

I think the film's biggest strength is that the plot is unusual--something pretty rare with a western. And, it never hurts to have Sterling Hayden starring in a film. But the film also has a few problems--such as wasting Edgar Buchanan in a support role, a ridiculous fighting scene where tiny little Jory is a match for the hulking Hayden as well as a final scene where the Indian lady runs up and grabs a gun and shoots someone--as Forrest Tucker just sits there and lets her do this. This final complaint is just sloppy and with a better finale, I might have scored this one a bit higher. Worth seeing--just not brilliant.

At one time the IMDb cast list did rather spoil things by telling us who the Sidewinder is, but since I wrote this review some years ago it seems to have been amended. So I'm altering what I wrote then.

There are several possibilities about who the Sidewinder is, and I had my own suspicions (which eventually proved to be correct) as soon as he appeared. Sterling Hayden was his usual wooden self in the lead role, Forrest Tucker was sufficiently rugged as the army officer, but Edgar Buchanan made an unconvincing sergeant - almost as much so as Andy Devine in "Two Rode Together".

In the opening shoot-out at his ranch, Tex seems to have a revolver that never needs reloading; I counted 17 successive shots, though six of these were fired when he was sheltering in the cattle pen; arguably he could have reloaded out of camera, but he then gallops off, firing another 11! And when the stagecoach leaves town it's picturesquely filmed from under a distinctive tree - which features again later in the coach journey after Tex has done his rescue act.

The film is redeemed by a good closing fight between the whites and the Utes, with an unusual setting for the inevitable concluding fisticuffs.

Flaming Feather casts Sterling Hayden as a rancher and Forrest Tucker as a cavalry lieutenant who make a bet as to who will catch the notorious outlaw known as the Sidewinder. Hayden whose ranch was recently burned out and cattle stolen is not satisfied with the performance of the army in catching this desperado. The Sidewinder has as his gang a collection renegade Ute Indians which makes him the army business as opposed to civilian law enforcement. Hayden and Tucker have a wager on who will catch him first as no white people know his identity.

It wasn't hard to figure it out just look at the casting. Even without IMDb identifying the Sidewinder on Flaming Feather's page it was easy to figure out by the kind of roles this player is usually cast in. The real suspense is whether Hayden or Tucker will wind up with leading ladies Arleen Whelan and Barbara Rush. Another good part is that of Carol Thurston who played many exotic types in her career and is the Indian mistress of The Sidewinder.

Flaming Feather is good, but highly predictable.