Pirate Party on Catalina Isle (1935) Online

If you're a fan of Catalina Island as i am, you'll really enjoy this MGM short. Buddy Rogers' band is set up on the front of the late, great Hotel St. Catherine, which burned to the ground decades ago, and is now the Descanso Beach area and campgrounds. The great song, AVALON (Catalina's main tourist village), plays in the background. An earlier review already mentioned some of the mid 30s most famous stars, supposedly sitting near the water taking in all this entertainment, who squeeze out a smile for their day's wages. Chester Morris is rather annoying and way overdone as the blustery captain, but Becky Burgess is leggy and delectable as she and Johnny Long sing a nice little ditty, SMOOTH SAILING. The humor is 30s corn, but this is a time capsule, so that's forgiven. I always take this to Catalina with me to watch in my room at the Hotel Atwater (not shown here, but was in business at this time) and get a good feeling knowing this whole short was shot within two blocks of my snug little room. If you're going to Catalina this summer, first check out MURDER ON A HONEYMOON w/ Edna May Oliver, a splendid comedy/ mystery (also shot on the Island) and YOU'RE ONLY YOUNG ONCE, the second ANDY HARDY movie where the Judge's family head to Catalina for vacation. Over and out!

Terrific historical document of Hollywood 1935. Not to be regarded for its entertainment value, necessarily, but a real 'curio' from MGM. It almost is a home movie, in a sense, and the close-ups of Randolph Scott and Cary Grant are priceless.

I've only seen portions of the film on You Tube but it's really kind of like Avalon was in those days, with movie stars, big bands and plenty of Chamber of Commerce summer festivals which encouraged locals & tourists alike to dress up and be pirates, hillbillies, babies or whatever the current theme suggested. It offers glimpses of the Great White Steamers, the mahogany speedboats and stately St. Catherine Hotel, all long gone from 2008 Catalina.

The film's Technicolor is gorgeous, the musical numbers bouncy and cheerful. I always liked Buddy Rogers' music, & Johnny Downs' dancing & singing was fun to watch. JD always played the young college-types without a peer, later coming back to Coronado, CA to host local children's TV programs in the 50-'60s. He had a warm kind heart & gentle manner; it showed in his work. Please watch this film or Pigskin Parade and see for yourself.

If anyone is still seeing this, do you know if it was Mr. Rogers who also sang the Avalon song at the movies beginning title? Am thinking it must have been, the singer pronounced every word so clearly and had such a pleasant voice. I think this Mr. Rogers must have been a wonderful person, and so talented! Not only was he so lively and cheerful, but he played all those musical instruments! I read also that he was an flying instructor during the war. Really multi talented! Am sorry failed to write him a letter before he died to tell him how much he is admired in this house.

We have the Pirates Party on one of those disks that look like a 45rmp record. It is so clear, almost "HD," and in full color. Enjoyed it very much. I think also their version of We're in the money was even better than the one from the Warner Bros. movie.

Enchanting short from producer Louis Lewyn, who specialised in star-packed revues such as this one, Star Night at the Cocoanut Grove, Starlit Days at the Lido, all shot in ravishing 3-strip Technicolor in the mid-30s. Here we catch glimpses of Cary Grant, Randolph Scott, Errol Flynn, etc, supposedly enjoying the pirate revue outside the St Catherine Hotal on Descanso Beach, Avalon. (I'm sure they were there but revealingly we never see the stars in the same frame as the acts and it's a safe bet that the revue was filmed separately and the star shots blended seamlessly in). It doesn't matter a jot though, it's all hugely enjoyable, with Chester Morris hamming it up as the Pirate Captain, abetted by his motley crew of Leon Errol, Sid Silvers and others whom you feel you should recognize but don't quite.

Nice to see Lee Tracy pop up briefly. This was two years after the notorious incident on the Mexican shoot of Viva Villa which saw him fired from MGM by an incandescent LB Mayer and quickly smuggled back to the US. (Let's just say it involved a hotel balcony, a passing Mexican military parade below, and a jaybird-naked and drunken Lee Tracy answering the urgent call of Nature. Please don't rain on my parade indeed! To sum up, a glimpse of Paradise, Hollywood-style. I give it a resounding 10!

Among the earliest Technicolor films using the Three-Color process are a set of promotional films made in the mid-1930s. They all supposedly show the stars in their off hours hanging out at a nightclub sort of setting...during which various adequate acts entertain.

In this one, Chester Morris is the emcee and he introduces the acts and points out the movie stars. A few of the stars hanging out on this beachfront nightclub DURING THE DAY is Mickey Rooney, Errol Flynn, Leon Errol, Cary Grant and Randolph Scott*. Most of the acts aren't very good, but their rendition of "We're in the Money" is very catchy. The theme is pirates and the acts mostly sport Hollywood versions of pirate costumes.

This is the sort of film that would appeal to folks who adore old Hollywood. Otherwise, it will be tough going as the film does come off as very staged and silly.

Hollywood certainly had some bizarre party's during its heyday, and many of them have been documented through photography or film for posterity. This daytime party, filmed in Technicolor in this MGM musical short on Catalina, has a pirate theme and features some great big band music as well as a few wonderful musical numbers. Of course there are the necessary shots of movie stars, and this is one time where you get to see Randolph Scott and Cary Grant without female dates sitting at a table together giving an interesting impression of what was really going on and what has been rumored over the past 70 something years. I have to give this one a high rating on a camp quotient, because overall in this series of short, it is downright the silliest. It's sort of interesting to know that while there were many people still starving as a result of the depression still in a transitional ending period, that a major movie studio would show such a frivolous lifestyle still in existence. But perhaps that's what made the depression palatable. It's also great to hear "We're in the Money" sung tongue in cheek as part of a treasure hunter, and what they do find is glittery, but then they discover that it ain't gold.